When you DJ, you can even turn Live into a tempo-synced FX box. Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Play video: A producer and drummer duo show tempo following and Macro improvements in actionĪ producer and drummer duo show tempo following and Macro improvements in action Tree Tone – Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.īouncy Notes – Bounce balls up and down a piano roll to create pitch shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.
Vector Delay – Each visualized particle in this multitap delay device represents a different delay line – create pitch shifting or reverse delay effects with movement controlled by physical forces.Įmit – This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning. Vector Grain – A granular looper that visualizes sound modulation by moving particles on the interface – play with attraction and magnetism or loop the particles through a flow field. Vector FM – Manipulate different combinations of FM oscillators represented by moving particles – play with movement and voices to create evolving modulations and textures. Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage. Select a sound to hear it with various Spectral Time presets:Ĭreate jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched and washed-out effects. Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted and reverb-like effects. Select a sound to hear it with various Spectral Resonator presets: The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
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Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.īreaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Hybrid Reverb combines convolution and algorithmic reverbs. This way of using MIDI allows MPE-capable devices to control multiple parameters of every note in real time for more expressive instrumental performances. MPE stands for MIDI Polyphonic Expression. Add subtle expression variations, morph between chords and create evolving sonic textures. Plug in your MPE-capable controller and immediately add bends, slides and pressure for each individual note in a chord. This makes editing multi-tracked instruments or performances with multiple musicians easy and fast whilst keeping everything in time across tracks.
Link two or more tracks to edit their content simultaneously. Or approach sound design in a new way by splicing together random samples from your library.
Pick the best moments of each performance and combine them to create your perfect take. Live organizes multiple passes of an audio or MIDI performance into individual takes.
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